COURSE OUTLINE
SUMMER 2002
WESTERN NEW MEXICIO UNIVERSITY
COURSE NUMBER:
Engl 201 COURSE TITLE: Introduction to Literature
INSTRUCTOR: Bill Toth, Ph.D. OFFICE: Bowden Hall, 111
PHONE EXT: 6530 (use 538 prefix when calling from off-campus)
E-MAIL: tothb@wnmu.edu
OFFICE HOURS: 10:00-10:30 M-F and by appointment almost anytime.
REQUIRED TEXT: Literature: The Human Experince, 7th shorter ed.,
by Abcarian, Klotz, et al.
RECOMMENDED: A good desk dictionary
COURSE DESCRIPTION
English 201 is designed both as a General Education course and as an introductory-level course for English majors and minors. Essentially, this survey of the three major literary genres, will focus on short fiction, poetry, and drama. In the process of examining these types, special attention will be paid to the cultural, intellectual, and social contexts and influences relevant to each selection. Students will be expected to learn basic literary and critical terms necessary to the understanding and appreciation of litetature.
COURSE OBJECTIVES
Upon completion of this course, the student will have acquired:
1. an appreciation of the wide range of cultural, historical, intellectual,
and social currents influencing a wide range of literary types
2. an introduction to the three major genres: fiction, poetry, and drama
3. an understanding of the basic critical trends in literature
4. a deeper appreciation of literature through a deeper understanding of its
aesthetic princples.
English 201, Introduction to Literature
Course Requirements, Summer 2002
Dr. Bill Toth
Specific Requirements
Your final grade will be determined by your performance on the following: two major examinations (mid-term and final), sneak quizzes, and one paper.
Grading
Your final grade will be made up of the following graded work: exam average 70%, quiz average 10%, paper 20%. NOTE: All required work must be completed in order to pass the class.
Attendance Policy
Trust me, you’ll learn more if you show up to class regularly. Consequently, I have an attendance policy designed to encourage you to attend. Stated clearly, it goes like this:
1) Do not miss three consecutive classes. If you do, I will assume you’re not coming back and drop you from the class (then where would you be?). If you must be away that long, check with me in advance, not after you return. Note: If this happens after the drop/withdrawal deadline, your final grade will be an F.
2) If you miss more than five classes throughout the semester, you will be dropped.
3) I will take roll each class. If you miss more than three (3) classes during the semester, your final grade may be adversely affected. Here’s how: If at the end of the term you are teetering precariously between two grades, let’s say between an A and a B or a C and the dreaded D, I would let your attendance records determine which of the grades you receive. If you missed, say, five classes you would receive the lower of the two grades, the B or the dreaded D. On the other hand, if you missed, say, three times you would receive the higher of the two, the A or the C.
A word or two about tardiness. Normally, I don’t mind your walking in occasionally a minute or two late, but I do not want you to make a habit of it. So here’s another rule; three tardies equal one absence. That means if you’re tardy more than nine time, you’ll be in the same boat (sinking) as if you had missed more than three classes (see item #3 above).
Honesty Policy
I expect each of you to do your own work. That means anything you turn in with your name on it must be your own work. Attempting to pass off the words, ideas, or work of another is plagiarism, a serious offense in my book. If you try that, I will catch you and you’ll be in hot water. You’ll get an F on that assignment. If I catch you a second time, out you go. So don’t cheat; we’ll both feel better if you don’t.
Late Work and Make-up Exams
I will accept late assignments provided you have a darned good excuse, but you should not get in the habit of turning in late work. If you miss an exam, you have two school days to make up that exam, no longer. If you fail to do this, you will receive an F on that exam. Daily quizzes cannot be made up. During the last week of the term, I will not accept any late work for any reason, too busy. NOTE: It is your responsibility to make arrangements for all make-up work, not mine.
Classroom Behavior
While I want you to feel relaxed in here, I expect each of you to behave as adults, not high-schoolers. I don’t mind your occasional discreet whispering to your neighbor, but I will not tolerate any behavior which disrupts the class or keeps me from doing my job. If you misbehave you will get two warnings, after that out you go. I also reserve the right to rearrange classroom seating if I think it will improve the overall quality of the class.
Class Participation
I know English classes have a reputation for being dull, tedious affairs. To some degree this is true. I should know; after all, I sat through enough as a student. However, our class does not have to be boring. No siree! That’s up to you. Consequently, I fully expect each of you to do your best to keep things interesting. You can do that by participating in class, by asking questions, by being prepared, and by sharing your ideas and opinions with the class. Of course, being bright and witty wouldn’t hurt either. I assure you that any contributions you make toward the welfare of the class will be duly noted and appreciated.
Asking Questions
Above all, ask lots of questions. Ask questions any time. If I say something you don’t understand, please ask me to explain. Trust me; I don’t mind. That’s part of my job.
Note: I reserve the right to make minor changes to this course syllabus. So don’t whine if I do.
Finally, I want you to enjoy this class, Do your part and I promise to do mine.
English 201, Introduction
to Literature
Paper Requirements
Summer 2002
Dr. Bill Toth
Technical Specifications:
Four to six pages in length, double spaced, on standard sized 8 1/2 X 11 paper. If you use a dot matrix printer, be sure to tear off the margins and separate each page.
Each page should be numbered in the upper right corner.
Any reference to a cover title (e.g. a novel, a book of poems, a critical study) must be underlined or written in italics. Any reference to a story, poem, or essay should be written within quotation marks. However, never do either of these things to your original title at the top of the first page of your paper. Be sure your paper’s title is more than the title of the work you’re writing about; e.g. if you were writing about Thoreau’s Walden, you couldn’t title your paper Walden; Thoreau beat you to that title by 150 years. Use your imagination.
If you choose to use any outside source(s), the source(s) must be properly cited according the latest MLA documentation guidelines which can be found in almost any current English handbook, probably the one you used in English 101 and 102. Be sure to use signal phrases to introduce or tie in all quotations and paraphrases.
The paper’s cover sheet should include the title, your name, the date, and the class. My name is optional. Your cover or title page and a "Works Cited" page--if you use one--don’t count toward the paper’s overall length. And don’t put your paper in one of those fruity plastic binders!
The due date: 4:00 p.m. Monday, June 24.
Content:
You have considerable latitude here. Just don’t give me an old paper!
In general, however, you have two basic approaches: 1) an original discussion based upon your own good sense and your critical ability with respect to literature, and 2) a discussion which uses outside material which you gathered for your paper, presumably from the library.
My one request is that you select one piece of writing --which we have not discussed-- by an author in our text and write a critical essay assessing its general strength(s) and weakness(es) and its thematic structure(s).
Do not write a junior high book report or a high school biography!
Introduction to Literature
More Term Paper Info
Remember, your paper must be about a work of literature, not an author. Papers about authors usually never amount to more than a "junior high school" biography or chronology of a given author.
Be sure your paper is not a "book report" where all you really do is prove to me that you’ve read a particular story or poem. You know, like this . . .
"The Minister’s Black Veil" is about a minister who wears a black crape veil over his face and never takes it off even when it means his fiancee Elizabeth will leave him. In fact, he won’t even take it off when he’s lying on his death bed. Throughout the story many of his parishoners try to convince him to remove his veil or at least explain why he wears it, but he won’t.
So he dies with his veil still intact. And he is even buried with it still covering his face. And worse, he decays beneath that black veil.
That veil must have represented something. Or it must have been a symbol of
something.
******
Instead of the above, choose a story, essay, poem or series of poems and write a critical paper on your selection. Be sure your paper is more critical commentary than plot summary. Some summary wil be necessary, but you don’t want your paper to be predominantly plot summary.
Remember, references to titles of poems, essays, and stories are always enclosed within quotation marks. Only cover titles are underlined or italicized. Also, you should back up whatever point you’re making by citing passages or examples from the story/poem/essay you’re writing about.
Other considerations: your paper must be double-spaced and in a standard sized font, no larger than 12 point. Number your pages in the upper right-hand corner (including a "works cited" page if you have one). Never give your paper the same title as the title of your subject: "Young Goodman Brown." Not only is that very un-original, but Hawthorne would have beaten you to that title by about a century and a half.
Remember, no fruity binders for the papers. Just a staple in the upper left-hand corner.